Adorno – “Minima Moralia 1.1: For Marcel Proust” (1944)

*The following is reposted from Marxists.org.

 

Minima Moralia

Reflections from the damaged life

Part One
1944

Life does not live
– Ferdinand Kürnberger

1

For Marcel Proust. – The son of well-to-do parents who, whether out of talent or weakness, chooses a so-called intellectual occupation as an artist or scholar, has special difficulties with those who bear the distasteful title of colleagues. It is not merely that his independence is envied, that the seriousness of his intentions is doubted and that he is presumed to be a secret envoy of the established powers. Such mistrust is borne out of resentment, yet would usually find its confirmation. However the actual resistances lie elsewhere. The occupation with intellectual [geistigen] things has meanwhile become “practical,” a business with a strict division of labor, with branches and numerus clausus [Latin: restricted entry]. Those who are materially independent, who choose out of repugnance towards the shame of earning money, are not inclined to recognize this. For this he is punished. He is no “professional” [in English in original], ranks in the hierarchy of competitors as a dilettante, regardless of how much he knows about his subject, and must, if he wishes to pursue a career, display a professional tunnel vision even narrower than that of the most narrow-minded expert. The suspension of the division of labor to which he is driven, and which the economic state of affairs allows him, within certain limits, to realize, is considered especially scandalous: this betrays the aversion to sanction the hustle and bustle dictated by society, and high and mighty competence does not permit such idiosyncrasies. The departmentalization of the Spirit [Geist] is a means of abolishing such there, where it is not ex officio or contractually obligated. It does its work all the more surely, as those who continually reject the division of labor – if only in the sense that they enjoy their work – reveal, by this selfsame measure, their vulnerabilities, which are inseparable from the moments of their superiority. Thus is the social order [Ordnung] assured: this one must play along, because one could not otherwise live, and that one, who could indeed live, is kept outside, because they don’t want to play along. It is as if the class which the independent intellectual deserted from revenges itself, by forcibly pushing through its demands precisely where the deserter sought refuge.

Jeremiah Morelock

Jeremiah Morelock

Jeremiah Morelock holds a Masters Degree in Sociology and teaches at Boston College. He is also the Director of the Critical Theory Research Network. His research focuses on political themes in biological horror and science fiction films. He is editor of Critical Theory and Authoritarian Populism (forthcoming in 2018, University of Westminster).
Jeremiah Morelock

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